《伊夫·克萊因—超越時空》（Yves Klein - Painter of Space）中國首次大型個人回顧展由嘉德藝術(shù)中心和Yves Klein Archives 聯(lián)合策劃，將于7月6日正式在嘉德藝術(shù)中心對公眾開放， 該展覽也是法國駐華大使館舉辦的第17屆“中法文化之春”的系列展覽之一。

此次回顧展將呈現(xiàn)伊夫·克萊因 60多件代表作以及大量的文獻資料，其中包括了繪畫、雕塑、裝置、攝影和電影等多種類型的藝術(shù)作品。

展覽匯集了伊夫·克萊因短暫而輝煌的藝術(shù)生涯的全部軌跡：第一批單色畫、著名的藍色系列、浮雕與海綿雕塑、人體測量學(xué)系列、單色金以及他最后的藝術(shù)實驗——使用自然元素（如火焰、空氣和水）進行的創(chuàng)作。他通過這些藝術(shù)實踐表述了三個主要觀念：“單色主義、身體的物質(zhì)性以及藝術(shù)的非物質(zhì)性?！边@些觀念是建立在思考兩極的動態(tài)平衡：“可見的與不可見的、物質(zhì)的與虛空的、身體的與精神的?！币练颉た巳R因這些獨樹一幟的作品在短短七年內(nèi)創(chuàng)作完成，他領(lǐng)先于他的時代，并不斷打破藝術(shù)的邊界，預(yù)見且引領(lǐng)了許多未來的藝術(shù)發(fā)展趨勢，至今仍與當(dāng)下文化藝術(shù)發(fā)生著持續(xù)的共鳴。

本次展覽將帶我們領(lǐng)略這位法國國寶級藝術(shù)大師卓越非凡的藝術(shù)成就。值此展覽即將開啟之際，嘉德藝術(shù)中心盛邀觀眾朋友們走進展廳，走進伊夫.克萊因的精神世界，通過一片無盡之藍，穿越時空，體驗藝術(shù)帶來的無極無限。

關(guān)于伊夫·克萊因

伊夫·克萊因，1928年出生于法國尼斯，他的第一份工作是一名柔道運動員。直到1954年回到巴黎，他才將自己完全投入到藝術(shù)中，開始了他的 "單色冒險"。他將色彩從線條的牢籠中解放出來，對他來說，單色是唯一可以使"絕對的東西可見 "的繪畫形式。

通過選擇表達感覺而不是具象的形式，伊夫-克萊因超越了藝術(shù)表現(xiàn)的概念，將藝術(shù)作品視為藝術(shù)家和世界之間溝通的痕跡；不可見的真相變得可見。他說，他的作品是 "他的藝術(shù)的灰燼"，是眼睛看不到的東西的痕跡。

 伊夫·克萊因的藝術(shù)實踐揭示了一種新的概念化藝術(shù)家角色，他將整個生活視為一件藝術(shù)品。他也曾宣稱：“藝術(shù)家的目光所及之處都是藝術(shù)?！备鶕?jù)他的說法，美無處不在，但處于一種不可見的狀態(tài)。他的任務(wù)是捕捉任何可能發(fā)現(xiàn)的美，在物質(zhì)和空氣中。

這位藝術(shù)家用藍色作為他追求捕捉非物質(zhì)性和無限性的載體。他著名的比藍色更藍的色調(diào)，很快就被命名為 "IKB"（國際克萊因藍），放射出五彩繽紛的波浪，不僅吸引了觀眾的眼睛，更加促使觀眾用靈魂去欣賞，用想象力去閱讀。

從單色到虛空，再到他的 "活畫筆技術(shù) "或 “人體測量學(xué)"；通過其對自然元素的調(diào)動，以體現(xiàn)其創(chuàng)造性的生命力；以及他將黃金作為通往絕對的紐帶；伊夫·克萊因發(fā)展了一種開創(chuàng)性的實踐，打破了觀念藝術(shù)、雕塑、繪畫和表演之間的界限

 從1954年5月到1962年6月6日，也就是他去世的那一天，伊夫·克萊因始終在燃燒自己的生命，做出了標(biāo)志著他那個時代的絕世之作，至今仍熠熠生輝。

關(guān)于嘉德藝術(shù)中心

嘉德藝術(shù)中心坐落于北京王府井大街一號，與故宮為鄰，位于北京最著名的王府井商業(yè)街和新文化運動發(fā)源地五四大街的交界處，于2017年10月正式啟幕。在這座56000平方米的建筑里，匯集了藝術(shù)展覽、拍賣、藝術(shù)教育、出版、藝術(shù)品保管庫、酒店等等藝術(shù)產(chǎn)業(yè)的各個鏈條，是亞洲首家“一站式”的藝術(shù)品交流平臺，并由此連接了博物館、企業(yè)機構(gòu)、收藏家、藝術(shù)家、藝術(shù)愛好者等多種社會層面， 進一步建立起了自己的藝術(shù)生態(tài)系統(tǒng)。

嘉德藝術(shù)中心這座北京文化新地標(biāo)，秉持國際視野，以多樣性、開放性、專業(yè)性去構(gòu)建一個有價值的藝術(shù)品交流平臺，將深度參與和見證國內(nèi)外文化藝術(shù)的蓬勃發(fā)展。

www.cguardianart.com

關(guān)于伊夫·克萊因檔案館

1962年，34歲的伊夫·克萊因過早地離開這個世界，在他身后留下了大量的工作和檔案，包括文件、著作、照片、電影、錄音、書籍和筆記。

這些檔案由伊夫·克萊因的遺孀羅特·克萊因·莫奎負責(zé)記錄和維護，她至今仍在從事著這一工作。

檔案館致力于讓世人更好地了解藝術(shù)家伊夫·克萊因的作品，創(chuàng)新藝術(shù)理論，輔助科學(xué)和藝術(shù)研究，組織并參與世界各地的各種文化項目。

@yvesklein_archives

www.yvesklein.com

關(guān)于李龍雨

李龍雨(Yongwoo Lee)是同濟大學(xué)建筑與城市規(guī)劃學(xué)院教授。他是“上海種子”(Shanghai Project) 的創(chuàng)始人及藝術(shù)總監(jiān)。他是光州雙年展創(chuàng)始藝術(shù)總監(jiān)，也曾是光州雙年展基金會主席。他曾任上海喜瑪拉雅美術(shù)館執(zhí)行館長及國際雙年展協(xié)會主席。他曾是上海大學(xué)、韓國高麗大學(xué)等的教授、東京藝術(shù)大學(xué)等的特聘教授。

關(guān)于中法文化之春

在法中文化年（2003-2005）舉辦20周年之際，繼承其衣缽的中法文化之春 已憑借創(chuàng)新的藝術(shù)理念樹立起鮮明的品牌特色，在彰顯法國創(chuàng)作多樣性的同時推動法中兩國在視覺藝術(shù)、表演藝術(shù)、音樂、電影、圖書與思辨等各領(lǐng)域的合作。創(chuàng)立17年，中法文化之春得益于觀眾的認可和眾多文化合作伙伴的鼎力支持，始終不懈地在兩國文化對話的疆域里深耕，將跨文化對話推向國際舞臺。

https://faguowenhua.com/nos-festivals/festival-croisements-2023/

展覽信息

展覽名稱：《伊夫·克萊因——超越時空（Yves Klein - Painter of Space）》

中國首次克萊因大型個人回顧展

主辦：嘉德藝術(shù)中心

展覽時間：2023.7.6-10.3

展覽地點：嘉德藝術(shù)中心B1層

協(xié)辦：Yves Klein Archives

展覽策劃：嘉德藝術(shù)中心、 Yves Klein Archives

展覽顧問： 李龍雨

展覽合作：Doors門藝

特邀藝術(shù)&時尚顧問：蘇芒

藝術(shù)推廣大使：霍思燕、杜江

技術(shù)合作伙伴：京東方中聯(lián)超清

合作伙伴 ：頌藝術(shù)中心 璞瑄酒店

首席藝術(shù)合作媒體：玩家惠ARTnews

獨家內(nèi)容合作平臺：小紅書

特別合作媒體：卷宗Wallpaper

Yves Klein - Painter of Space

? Yves Klein - Painter of Space ?, the first retrospective in China of the French artist Yves Klein organized with the Yves Kein Archives (Paris), will open to the public on July 6th at the Guardian Art Center, as part of the 17th edition of the Croisements festival organized by the French Embassy.

"Yves Klein - Painter of Space" is the first retrospective in China on the French pioneering artist of action art and the immaterial practices of contemporary art. The exhibition presents a collection of more than 60 works and a large selection of documents - drawings, photographs and films - taking into account all the techniques that the artist developed during his short but intense career between 1954 and 1962.

It examines three of the main issues present in Yves Klein’s work: monochromatism, the material nature of the flesh, and the immaterial character of art, for Yves Klein's work rests on a dynamic balance between two poles: the visible and the invisible, matter and emptiness, flesh and the immaterial.

"Yves Klein - Painter of Space" is divided into nine sections and presents the entire trajectory of the artist: the first monochrome paintings in color, the famous blue Monochromes, the reliefs and Sponges sculptures, the Anthropometries, the Monogolds and his last experiments with natural elements such as fire, air and water. Constructed in just seven years before his sudden death, Klein's bold work, which anticipates many later trends and remains fully relevant today.

About Yves Klein

Yves Klein, born in 1928 in Nice, had as a first vocation to be a judoka. It was only back in Paris, in 1954, that he dedicated himself fully to art, setting out on his ‘a(chǎn)dventure into monochrome’.

Animated by a quest to ‘liberate color from the prison that is the line’, Yves Klein directed his attention to the monochrome which, to him, was the only form of painting that allowed to ‘make visible the absolute’.

By choosing to express feeling rather than figurative form, Yves Klein moved beyond ideas of artistic representation, conceiving the work of art instead as a trace of communication between the artist and the world; invisible truth made visible. His works, he said, were to be ‘the ashes of his art’, traces of that which the eye could not see.

Yves Klein’s practice revealed of new way of conceptualizing the role of the artist, conceiving his whole life as an artwork. ‘Art is everywhere that the artist goes’, he once declared. According to him, beauty existed everywhere, but in a state of invisibility. His task was to capture beauty wherever it might be found, in matter as in air.

The artist used blue as the vehicle for his quest to capture immateriality and the infinite. His celebrated bluer-than-blue hue, soon to be named ‘IKB’ (International Klein Blue), radiates colorful waves, engaging not only the eyes of the viewer, but in fact allowing us see with our souls, to read with our imaginations.

From monochromes, to the void, to his ‘technique of living brushes’ or ‘Anthropometry’; by way of his deployment of nature’s elements in order to manifest their creative life-force; and his use of gold as a portal to the absolute; Yves Klein developed a ground-breaking practice that broke down boundaries between conceptual art, sculpture, painting, and performance.

Just before dying, Yves Klein told a friend, "I am going to go into the biggest studio in the world, and I will only do immaterial works." 

Between May 1954 and June 6, 1962, the date of his death, Yves Klein burned his life to make a flamboyant work that marked his era and still shines today.

About Guardian Art Center

Located close to the Forbidden City, on Wangfujing, Beijing's most famous shopping avenue, the Guardian Art Center opened its doors in 2017. Created by auction house China Guardian and designed by German architect Ole Scheeren, the Guardian Art Center gives pride of place to Chinese art, both classical and contemporary, with numerous collaborations with the Palace Museum, and to international artists and architects (Rapha?l, Alphonse Mucha, Yves Klein, Kengo Kuma, Zaha Hadid).

www.cguardianart.com

About Archives Yves Klein

Passed away prematurely in 1962 at the age of 34, Yves Klein left behind him a major work and archives rich of documents, writings, photographs, films, audio recordings, books and notebooks. 

These archives are documented and maintained by Rotraut Klein Moquay, Yves Klein’s widow, who pursues his work to this day.   

The missions of the Archives are to contribute to a better knowledge of Yves Klein's work, work towards the realization of a new catalog raisonné, be accessible for scientific and artistic research and organize and participate in various cultural projects around the world.

www.yvesklein.com

 @yvesklein_archives

About Yongwoo Lee

Yongwoo Lee is a professor at the College of Architecture and Urban Planning at Tongji University (Shanghai). He is the founder and former artistic director of the Gwangju Biennial and the Shanghai Project. He was also Director of the Shanghai Himalayas Museum and President of the International Biennial Association. He has taught as a professor at Shanghai University and Korea University, and as a Distinguished Professor at Tokyo University of the Arts.

About Croisements festival

20 years after the beginning of the Années croisées France-Chine (2003-2005), from which it stems, the Croisements festival has built a strong identity through innovative artistic choices, revealing the diversity of French creation and stimulating Franco-Chinese cooperation in various disciplines (visual arts, performing arts, music, cinema, books...). Thanks to the recognition it has gained among the public and cultural partners over the past 17 years, the festival brings the intercultural dialogue to life in China and on the international stage, as part of ambitious collaborations.

https://faguowenhua.com/nos-festivals/festival-croisements-2023/

Information

Yves Klein - Painter of Space

Organizer : Guardian Art Center

Co-organizer : Archives Yves Klein

Exhibition presented as part of the 17th edition of the festival Croisements organized by the French Embassy in China

Curator : Archives Yves Klein

Curatorial advisor : Yongwoo Lee

Fashion&Art advisor: Mang Su

Art Ambassador :Siyan Huo、Jiang Du

Exhibition partner : Doors 門藝

Time : 2023.7.6-10.3

Venue：B1 Floor, Guardian Art Center, Wangfujing Dajie n°1, Dongcheng district, Beijing

Technical Partner：UPTC Co., Ltd. ,BOE.

Partner：The Puxuan Hotel&Spa

Chief Artistic Collaborative Media: ARTnews China

Exclusive Content Collaboration Platform: Xiaohongshu

Special Collaborative Media:Wallpaper

Ticket and early-bird information:

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